Mon. Oct. 25, 2021

Big L – Heaven (Tommy Musto Remix)

Lost but not least! Big L – Heaven (Tommy Musto Remix)

Some of you might have questions about the presence of this mysterious Big L on these shores. Well, as usual, nothing comes by coincidence when coming to speak about quality music. And it’s exactly what this about here.
Big L has just this release to his credit. And the reasons for that are quite simple at the en. With the man being none other but Luther Vandross himself! In other words, they are contractual…

Luther (Big L) Vandross in the House! Not that surprising at the end, considering the amount of big names whose music received a similar treatment. Officially or not. From Joe whose classic ‘The Love Scene’ reached firther heights with a remix courtesy of Henry Street (Johnny D & Nicky P). To George Duke‘s ‘Rhyme Or Reason’ as beautifully revamped by the likes of David Lalla. Not to mention Darryl James‘s memorable rework of Patti LaBelle‘s ‘New Day’ to name a few. As many illustrations of the undeniable existence of a bridge between R&B and House. And this despite what might have been said now and then…

As a matter of fact, ‘Heaven’ is nothing but the reinterpretation of ‘Can Heaven Wait’ from Luther Vandross‘ 2001 eponymous album with original production work by the likes of Soulshock & Karlin. With Northcott head Tommy Musto takin’ the lead, meanwhile delivering one of his best reworks ever.

Missed it? Check it out and let us know what you think? We’re (once again) speakin’ of Big L at the end, aren’t we?

What’s the value of your vinyl record?

– Gifted with a velvet tenor voice, NYC native Luther Vandross appeared in the first series of ‘Sesame Street’ back in 1969.

A performer, but also a songwriter, he collaborated with countless artists and bands. From Quincy Jones to Roberta Flack & Donny Hathaway (‘Back Together Again’), Chic (‘Dance, Dance, Dance’), Chaka Khan or Diana Ross. But also Charme with whom he did a cover version of Toto‘s ‘Georgy Porgy’. Not to mention Jocelyn Brown Sharon Redd and David Bowie. And I’m not even talkin’ about his activities as producer along with bassist Marcus Miller and sound engineer Ray Bardani. The latter leading him to craft Cheryl Lynn‘s ‘Instant Love’ then Aretha Franklin‘s ‘Jump To It’ and ‘Get It Right’ albums in 1982 and 1983. This resulting in gems such as ‘Instant Love’ for Lynn. And ‘Jump To It’, ‘(It’s Just) Your Love’ and ‘Get It Right’ for Franklin.

Despite a couple of album releases as simply Luther, Vandross would get his breakthrough as the lead singer of various tracks on Change‘s ‘The Glow Of Love’ debut-album back in 1980. He refused contributing to its follow-up though because of a financial disagreement with its executive producer, Jacques Fred Petrus. Although he would sing backing vocals on The BB&Q Band‘s eponymous debut album from the same management team. From then on, he signed a solo record deal with Epic. Going straight to the position #1 in the charts with the title cut from his ‘Never Too Much’ debut-album the year after.

‘Never Too Much’ opened an impressive list of successes which established Vandross as the #1 R&B singer for two decades. The man varying the pleasures upon different moods. From ballads to R&B grooves and eventually hybrids such as ‘Give Me The Reason’ back in 1986. Not to mention his (unofficial) flirt with House vibes as Big L on ‘Heaven’. This with remixing work courtesy of Tommy Musto in 2002.

Among his masterpieces, ‘The Night I Fell In Love’, ‘My Sensitivity (Gets In The Way)’, ‘I Wanted Your Love’, ‘It’s Over Now’ and ‘Power Of Love’. Not to mention ‘The Rush’ which David Morales remixed it an outstanding way and ‘Always And Forever’ to name a few. Vandross also happened to share the duties back in 1992 with Janet Jackson, Bell, Biv, DeVoe and Ralph Tresvant. Delivering the boiling ‘The Best Things In Life Are Free’. A cut which got extra exposure as a part of the ‘Mo’ Money’ OST with production work courtesy of Jam & Lewis. Meanwhile, some of you might also remember his collaboration with Masters At Work on ‘Are You Using Me’ back in 1998. A track which, for some reason, only saw the light as a Promo 12″ on Virgin.

An unreleased cut of his – ‘Love It Love It’ – which he co-wrote with Hubert Eaves III eventually saw the light as a part of a posthumous Greatest Hits package by the end of 2014.

Luther Vandross has sold more than 35 million records worldwide and received 8 Grammy Awards.

He sadly died from diabetes and hypertension at the JFK Medical Center in Edison, NJ on Jul. 01, 2005, at the age of 54.

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