Single Of The Week: Diephuis & Eastar feat. Jocelyn Brown – Don’t Quit (Be A Believer) (Original Mix) (Quantize Recordings)
Dutch producer Diephuis coming from strong to stronger from a release to another. And this time with keyboardist/producer Eastar and the legendary Jocelyn Brown. And what a gift this is to celebrate the label’s (already) 100th release! But, more than that, ‘Don’t Quit (Be A Believer’ standin’ as an enlightening answer to the sadly troubled times we’re livin’.
Hard to believe Miss Brown has been around for 40 years, with her way of singing brighter than ever, beautifully served by a top quality production, all on all sounding like a timeless classic for the protagonists.
A package delivered with extra remixes depending on your mood, with extra big ups to label head DJ Spen for his ‘Boogie Mix’ havin’ all the qualities to meet the Disco headz expectations…
Be a believer… Don’t quit!
Download from Traxsource.
– Rotterdam born DJ/producer Diephuis states Disco, Techno, Afro, Soul, Funk and Jazz as his major influences. His fascination for these kinds of moods started in the 90’s, inspired by DJ’s like Larry Levan, MAW and Joe Claussell. Then later on Osunlade, Henrik Schwarz, Dixon and Spinna.
Barend-Jan Beljaars (that’s his ID) started making music in 2008, on the hells of an already impressive C.V. as a DJ. He released his first EP – ‘Deeproots’ – Afrazoo the year after. His first major production – ‘Beautiful Life’ featuring Stephanie Cooke – followed two years after on King Street. It got soon after included on Hed Kandi’s ‘Beach House 2011’ compilation. Then, later on, Louie Vega took it for his compilation for King Street.
At the end of 2012, he remixed Peven Everett‘s ‘Black Boy’ for UDM Show Records. From then, Diephuis has been working with and/or for artists such as Ursula Rucker, Kenny Bobien, Marc Evans and Jephté Guillaume.
By the end of 2014, Diephuis released ‘Crossing Borders’ on Nulu Electronic. This project was remixed by Manoo and later on The Kings Of House (David Morales and Louie Vega) featuring Anané Vega.
In the Summer of 2015, it made it #9 Top Downloads on Traxsource and #1 Top 100 Afro House tracks on Traxsource. Black Coffee eventually included the Manoo remix in his mix for Mixmag August 2015.
More recently, he came to bless us along with Jocelyn Brown on ‘Don’t Quit (Be A Believer)’ which we welcomed as our Single Of The Week on both its original delivery and its remix package featuring Reelsoul.
– A Kingston, NC native, Jocelyn Brown grew up in a family of 7 brothers and 2 sisters whom she was the eldest. Her aunt, Barbara Roy, was the lead singer of Ecstasy, Passion And Pain. Her mom, two aunts, cousin and grandmother were all accomplished singers.
Singin’ acapella among the family quickly became a way of life. Jocelyn would develop her art upon moving to NYC at the age of 6 while singing further in the churches of Harlem. A few years on, and she ended up leavin’ the Gospel to become a session singer, working with countless luminaries. From Bruce Springsteen to Bette Middler and Bob Dylan. But also R&B/Disco acts such Musique, Chic and Change (‘Angel In My Pocket’). Not to mention Kleeer or Cerrone (‘You Are The One’) among others.
The first time I got to hear her brings me back to 1979. Back then, she was singin’ the lead for Patrick Adams‘ band Inner Life on ‘I’m Caught Up (In a One Night Love Affair’ (Prelude). An experience she would repeat two years after. This with a memorable interpretation of Ashford & Simpson‘s ‘Ain’t No Mountain High Enough’ (Salsoul). The year after seeing her teamin’ up with Salsoul Orchestra on ‘Take Some Time Out (For Love’). Then back with Inner Life on ‘Moment Of My Life’ and ‘I Like It Like That’.
Jocelyn Brown released her debut-album back in 1984. Its title cut – ‘Somebody Else’s Guy’ – standing as her most famous song as a solo artist. This with production work courtesy of Allen George & Fred McFarlane. She would eventually deliver its follow-up – ‘One From The Heart’ – 3 years after, collaborating with producer Hubert Eaves III (D-Train). An album which featured another goodie of her by the likes of ‘Ego Maniac’.
By 1985, Brown released ‘Love’s Gonna Get You’ along with producer John Jellybean Benitez. Eventually sounding like an answer to ‘Ain’t No Mountain High Enough’, it most likely inspired artists such as Snap! then Bizarre Inc.. The first sampling one particular line in the song by the likes of “I’ve got the power!” on ‘The Power’. And the latter borrowing another line – “Why waste your time, you know you’re gonna be mine” – on ‘I’m Gonna Get You’.
Meanwhile Polish producer Juliet Sikora would embed (uncredited) vocals of Jocelyn Brown on ‘Larrys Garage’ back in 2015. The latter comin’ from her live performance at the Larry Levan Street Party on King St. in New York, outside the original venue of The Paradise Garage, May 11, 2014.
Facing problems with the development of her own career, Brown would most likely spend her time singin’ for others from then. Teamin’ up back in 1989 with Spanish producer Raúl Orellana on ‘Gipsy Rhythm’. Then a year after with Incognito on a memorable cover version of Ronnie Laws‘ ‘Always There’.
And how couldn’t we remember her brilliant performances on the 1996 Nuyorican Soul album? From her one of a kind rendition of Rotary Connection‘s ‘I Am The Black God Of The Sun’. To the uplifting ‘It’s Alright, I Feel It’. Not to mention, more recently, the firing ‘You Are Everything’ from Louie Vega‘s 2015 ‘Starring XVIII’ album. This in addition to ‘Black Skin Blue Eyed Boys’ with Bollo. And ‘Don’t Quit (Be A Believer)’ with Diephuis which Reelsoul eventually remixed a few months later.
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