This Beat Is Mine! Gil Scott-Heron & Brian Jackson – Willing (Arista)
Have you ever noticed as to how we always tend to repeat the same things over and over? What we most likely call the routine for the everyday stuff. But what about those cycles of uncertainty we seem to regularly comin’ thru? As if we hadn’t learnt from the mistakes of our elders nor ours???
Then no wonder as to how we’ll generate the same results…
Great Britain then America… Who could have guessed the drastic changes which have recently occurred there, let’s say still a year ago? Who could ever pretend it’s gonna be for the better? What will tomorrow bring in France, then in Germany in a few months from now on?
I’ve heard so many people from all sides talkin’ bullshit over the last months on TV, therefore spreadin’ confusion. And God only knows to whatever situation such a mess might lead to. As a result, the 1980 released ‘Willing’ by the likes of Gil Scott-Heron and Brian Jackson finds a new resonance today…
I know how a piece of music or litterature isn’t the one that’s gonna bring food in the plates of those of us in need. But the spiritual food they bring on the other hand can be a real source of inspiration. “We’ve all heard so many conflicting words about life, whether wrong or right.
How you gotta be workin’ hard and it ain’t no easy job to survive, just keep it alive.” We just gotta be willing…
This Beat Is Mine! (*)
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For this to happen, nothing’s more easy… What you’ve just got to do is drop us a line while using our contact form and let us know about your favorite piece of music (*), along with a review explaining what it suggests you and why people should dig it. And the best of it will be given a publication with your credit the week after.
With warm thanks to Brussels-based correspondent, Jomanda McPhearson, for this week’s suggestion…
Gladly welcoming yours to be published next Wednesday!
A Chicago, IL native of a Jamaican descent, Gil Scott-Heron got raised by his grandma in Jackson, TN. He eventually wrote detective stories during his teens. Then switched to Black politics after the passing of his grandmother. Movin’ to the Big Apple, he studied composition at university. He wrote a series of novels includin’ ‘The Nigger And The Factory’. He then would start putting his radical stories to music with the help of Brian Jackson.
Scott-Heron released his debut-LP – ‘Small Talk At 125th And Lenox’ – back in 1970 on the Flying Dutchman label. An album where he evoked the superficiality of television and mass consumerism, as illustrated on the memorable ‘The Revolution Will Not Be Televised’. ‘Pieces Of A Man’ which saw the light the year after, marked the start of a long time collaboration with Brian Jackson. It featured an extra version of ‘The Revolution…’ and also the famous ‘Home Is Where The Hatred Is’ which Esther Phillips eventually covered back in 1972. Then by 1973, he released ‘Free Will’ which would be his final album for the label.
Switching to Strata-East in 1974, Scott-Heron and Brian Jackson delivered the magnetic ‘Winter In America’ album. Somehow overlooked at the time, ‘Winter In America’ is nowadays seen by many as their most artistic effort. Including not only ‘The Bottle’ which made it on the floors. But also the vibrant ‘Peace Go With You Brother’. Not to mention ‘H²Ogate Blues’, an opening monologue concerning the Watergate incident which he used at his concerts. This is where he most likely established himself as a Bluesologist. Blending narrations and songs with Soul, Jazz and Blues influences which would have influences on Hip-Hop years after.
Signing with Arista in 1975, they would deliver 6 albums for the label. From ‘From South Africa To South Carolina’ which featured ‘Johannesburg’, a rallying cry to the issue of apartheid in South Africa. To ‘1980’ which includes the outstanding ‘Willing’ that illustrates Scott-Heron‘s philosophy to the pressures of life.
As a solo artist, the man recorded 3 albums during the 80’s. With Arista breakin’ their contract with him, he quit recording although he kept on touring. He released 2 extra albums back in 1994 after a 12 year hiatus.
The 2000’s would see Scott-Heron alternating staying in jail for drug possession and live gigs. He neverthess came back with ‘I’m New Here’ on independent label XL Recordings on Feb. 09, 2010. With production work by label owner Richard Russell, it was his first studio album in 16 years. It spanned gems such as the aptly titled ‘Me And The Devil’. But also the ultra vibrant ‘I’ll Take Care Of U’ which Jamie xx reworked as a part of Gil‘s ‘We’re New Here’ album the year after.
A third and last album from him – ‘Nothing New’ – posthumously saw the light in 2014. Gil Scott-Heron had left us in the meantime. He’d sadly passed in the afternoon of May 27, 2011, at St. Luke’s Hospital, NYC, after becoming ill upon returning from a European trip.
Peace go with you brother…