This Beat Is Mine! Rose Royce – Do Your Dance (Full Length Version) (Whitfield Records)
I just popped onto your site a few days ago where I saw your review of Stargard‘s ‘Which Way Is Up’. And it all of a sudden got me back to the souvenir of Rose Royce‘s 1977 ‘Full Bloom’ album. And by that, to the souvenir of both ‘Makes You Feel Like Dancing’ and ‘Do Your Dance’. As a huge fan of Norman Whitfield‘s composition work, I suppose this won’t come as a surprise to you then. And I gotta admit I’ve hardly heard anything more obsessive in terms of construction. With the aptly titled ‘Do Your Dance’ and the sophistication if not the complexity of its rhythmic effect speakin’ for themselves…
“Do your dance, to the rhythm…” Lets groove!
This Beat Is Mine! (*)
Once in a week (on Wednesdays), we leave you at the command of IDMW…
For this to happen, nothing’s more easy… What you’ve just got to do is drop us a line while using our contact form and let us know about your favorite piece of music (*), along with a review explaining what it suggests you and why people should dig it. And the best of it will be given a publication with your credit the week after.
With warm thanks to Hackensack, NJ-based correspondent, Lou Smadja, for this week’s suggestion…
– Formed in Los Angeles, CA in the early 70’s, Rose Royce (Magic Wand at the time) started as backing musicians with Edwin Starr who introduced them to producer Norman Whitfield. They would soon after act as a studio band for Undisputed Truth whose bandleader introduced singer Gwen Dickey to Whitfield. And Rose Royce was born, makin’ their debut with the memorable ‘Theme From Car Wash’.
The central theme to Joel Schumacher written film of the likes would be the very first of an impressive series of hot jams for the band. Among their classics, ‘Wishing On A Star’ and ‘Do Your Dance’. But also ‘It Makes You Feel Like Dancing’ and ‘Love Don’t Live here Anymore’. Not to mention ‘Still In Love’ or ‘Is It Love You’re After’ among others.
The arrival of the 80’s would also mark the progressive beginning of the end for the band, although they keep on touring regularly in the UK.
– Contemporary Music may not have become what it is without Norman Whitfield‘s contribution. As a matter of fact, he might pretty well be the first producer ever who established a sound / an approach as a trademark…
Hailing from Harlem, NY, he and his family relocated to Detroit where he started working with Motown’s head Berry Gordy. Aged 19, he progressively established himself as in charge of the quality control department. A position which allowed him to determine which songs would or would not be released, prior to join the label’s in-house songwriting staff.
He would find his niche in the production though. When he came to collaborate with Marvin Gaye on the memorable ‘I Heard It Through The Grapevine’ back in 1968. Then with Edwin Starr, 2 years after, crafting ‘War’ for him. But even more when he took over Smokey Robinson‘s role as the main producer for The Temptations back in 1966.
From then on, he took the group to a brand new dimension. What he did was changing the nature of the songs, from love matters to the social issues of the time, such as war, poverty and politics. But also experimenting sound effects and production techniques. Eventually getting the group into a darker infectious sound blending psychedelic Rock and Funk. From this liaison which lasted until 1975, came gems such as ‘Ain’t Too Proud To Beg’ back in 1966. But also ‘Cloud Nine’ and ‘Ball Of Confusion (That’s What The World Is Today)’. Not to mention the memorable ‘Papa Was A Rolling Stone’, ‘Plastic Man’ and ‘Law Of The Land’…
Whitfield parted ways with The Temptations coz’ they disliked how he put more emphasis on the instrumentation instead of their vocals. And also because they wished he wrote more romantic ballads for them. This therefore led him to leave Motown and launch his own Whitfield Records imprint. From then, he convinced The Undisputed Truth and Jr. Walker. Respectively producing ‘You + Me = Love’ and ‘Back Street Boogie’ from them. Then Rose Royce who were Edwin Starr‘s backing band while at Motown.
He most likely scored his biggest success ever with ‘Car Wash’ for the latter. A cut which won Whitfield a 1977 Grammy Award for Best Score Soundtrack Album. He soon after also composed the theme song for the 1977 motion picture ‘Which Way Is Up?’, performed by Stargard.
Among his biggest productions as well, the mellow ‘Love Don’t Live Here Anymore’ by Rose Royce. And also ‘Do Your Dance’ and ‘It Makes You Feel Like Dancing’. Not to mention ‘Is It Love You’re after’. A jam which British producer Mark Moore sampled on ‘Theme From S-Express’ back in 1988.
Whifield underwent treatment for diabetes and other ailments at Los Angeles’s Cedars-Sinai Medical Center, in 2008. He fell into a coma, briefly improved, but sadly succumbed to diabetic complications on Sept. 16, 2008, aged 68.