Thu. Oct. 21, 2021

Stevie Wonder – Jungle Fever (Motown)

Lost but not least! Stevie Wonder – Jungle Fever (Motown)

Be he a musician, Spike Lee would either have been a Soul man or a Hip-Hopper. Using his medium to embrace socio/political matters such as race relations, urban crime, poverty, considerations from an Afro-American perspective… His company – 40 Acres and a Mule Filmworks – has produced more than 35 films since the mid-80’s. His most notable being ‘Do The Right Thing’, ‘Mo’ Better Blues’, ‘Malcolm X’ and ‘Inside Man’ along with ‘Jungle Fever’. He won the Gish Prize “for his brilliance and unwavering courage in using film to challenge conventional thinking” in 2013.

Released back in 1991, ‘Jungle Fever’ was Lee‘s fifth directed film. Starring Wesley Snipes, Annabella Sciorra Hall Berry and Samuel L. Jackson. Often seen as the latter’s breakout performance, meanwhile depicting interracial relationships against the urban backdrop of the streets of New York City in the nineties.

Its OST has been left care of Stevie Wonder who received mixed critics back then. With the negative ones as usual from the conservative side. We find him here, on some Electro-tinged Swing mood, eventually flirting with GoGo Music at times on the title cut of the album. This along with luminaries such as Boyz II Men in the backing vocals. And Baba Olatunji (the author of the famous ‘Jingo’ later on covered by Candido) on percussion…

What’s the value of your vinyl record?

Quite a child prodigy, Stevie Wonder had mastered harmonica, keyboards and drums by the age of 10. He would sign to Motown the year after with the help of a neighbour – Johnnie Glover – whose cousin was Ronnie White of The Miracles.

1962 saw the release of ‘I Call It Pretty Music’ which marked his debut as Little Stevie Wonder, with a certain Marvin Gaye on drums. International recognition would come 4 years later though with ‘Uptight’. A cut which he co-wrote with singer / songwriter and producer Sylvia Rose Moy. Another standout track from their collab being ‘My Cherie Amour’ from the 1969 album of the likes…

By 1971, Wonder signed a new deal with Motown. Thus allowing him to have more artistic freedom on his recordings. He soon after released ‘Where I’m coming From’ which established him on the Rock scene. And also led him to be the opening act for The Rolling Stones tour with Bohannon and Ray Parker, Jr. among his back up musicians.

It’s most likely during this period that Wonder started to become fascinated by the Moog synthesizer. Something one could firmly feel on the memorable ‘Superstition’ or ‘Living For The City’ for instance. The albums ‘Talking Book’ (1972), ‘Innervisions’ (1973) and ‘Songs In The Key Of Life’ (his biggest success ever) standing as absolute manifestos. Meanwhile spanning classics such as ‘You Are The Sunshine Of My Life’ and ‘Superstition’. But also ‘Higher Ground’, ‘Living For The City’ and ‘Don’t You Worry About A Thing’. Not to mention ‘Love’s In Need Of Love Today’, ‘I Wish’. These in addition to ‘Pastime Paradise’, ‘Joy Inside My Tears’, ‘Isn’t She Lovely’ and ‘Another Star’ to name some more.

Wonder opened the 80’s in the same vein with ‘Hotter Than July’. An album which contributed to add extra classics to an already impressive collection. From ‘All I Do’ to ‘I Ain’t Gonna Stand For It’. But also ‘Master Blaster’. Not to mention ‘Happy Birthday’, a campaign song for Dr Martin Luther King‘s birthday (Jan. 15) into an American national holiday.

Extra hits would follow on his double album, ‘Original Musiquarium’ in 1982. An effort that saw him sharing the bill with Jazz trumpeter Dizzie Gillespie, on ‘Do I Do’. The following years bringin’ ‘I Just Called To Say I Love You’ and ‘Don’t Drive Drunk’ from the ‘Women In Red’ album. Not to mention ‘Part Time Lover’ (from ‘In Square Circle’ in 1985).
Other cuts of his worth the listen including ‘Make Sure You’re Sure’ from the ‘Jungle Fever’ OST and its title track. Then ‘What The Fuss’ from ‘A Time 2 Love’, his last studio album released back in 2005.

As writer or producer, Wonder has been working with countless artists from Whitney Houston, to Dionne Warwick. But also Jermaine Jackson, Third World and Gary Byrd among others.

He’s also been duetting with Paul McCartney and Michael Jackson. And jamming also along with The Trammps (‘Soul Bones’) with his harmonica. Then Chaka Khan (‘I Feel For You’) and Eurythmics.

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