This Beat Is Mine! (*) Tongue N Cheek – Tomorrow (Frankie’s Favourite Paradise Mix) (Syncopate)
I’d like to first and foremost thank you for your 10 essential Brit-Soul gems recent publication. I therefore fully subscribe to your affirmation saying there was nothing more exciting musically speaking than the UK scene back at the end of the 80’s. We then would get things almost every single day from almost everywhere at the time. Be it House, Soul, Hip-Hop, Acid-Jazz or whatever. We also had the clubs, we had the DJ’s, we had the record shops and we had such an exciting media coverage. In other words, we had everything to have a brighter tomorrow at the time.
Tongue N Cheek, although they released only one album, remain definitely worth the check. Maureen Mason, the lead singer, had such a beautiful voice. Meanwhile her partners, Robin Achampong and Delroy Murray made quite some noise earlier on under their Total Contrast guise. I’m pretty sure you remember them, huh?
This ‘Tomorrow’ of theirs, which Frankie Knuckles remixed is so uplifting. I wish we would have had more ‘Tomorrow’ like this!
This Beat Is Mine! (*)
Once in a week (on Wednesdays), we leave you at the command of IDMW…
For this to happen, nothing’s more easy… What you’ve just got to do is drop us a line while using our contact form and let us know about your favorite piece of music (*), along with a review explaining what it suggests you and why people should dig it. And the best of it will be given a publication with your credit the week after.
With warm thanks to Brighton-based correspondent, Trish Williams, for this week’s suggestion…
Gladly welcoming yours to be published next Wednesday. On your marks!
– A quick typing – ‘Frankie Knuckles’ – in the search box of our site should give you a certain idea of his legacy. And, by that, of the consideration we have for him. Standing among the most prolific but first and foremost talented producers/remixers of his generation. With his name firmly associated to a signature – the Def Mix Sound – and an alter ego – David Morales. Themselves synonyms with some of the most brilliant episodes in the maturation of the contemporary groove.
A native New Yorker, Frankie Knuckles arrived right on time to witness the early stages of the nightclubbing and its music – Disco – in the Big Apple. Eventually hangin’ out with his friend, Larry Levan, before comin’ to play Disco, Soul and R&B jams at The Continental Baths and The Gallery.
Knuckles relocated to Chicago, IL by the second half of the 70’s. This after a friend of his by the likes of Robert Williams had opened a space that was to become The Warehouse. Eventually inviting him to play on a regular basis. There, he came with a blend of everything, from Disco classics to European electronic fueled sounds and Rock. The whole setting up the foundations as what was to become House Music by the middle of the 80’s. This along with the use of drum machines and samplers.
Knuckles made his thing in Chicago, eventually collaborating with Jamie Principle. But he also happened to join forces with David Morales and For The Record DJ Pool founder Judy Weinstein under the Def Mix Productions banner to help manage remix requests and handle artist business affairs.
On his own or along with either David Morales or Eric Kupper, Frankie Knuckles has remixed and produced over 600 releases. With the list of those he happened to rework the music of givin’ a better idea of the impact he generated. And this way above the strict spheres of House Music. Beginning with blasts from the past such as My Mine‘s ‘Hypnotic Tango’ which he came to rework. But also Jago‘s quite sought after ‘I’m Going To Go’. Then Double Exposure‘s ‘My Love Is Free’ and Diana Ross (‘Love Hangover’). Eventually bringin’ fragments of his universe on Swing Out Sister‘s ‘Notgonnachange’. The latter being an example of the demand he generated in the UK. From Tongue N Cheek‘s ‘Tomorrow’ to L.A. Mix‘s ‘Live Together’ and D*Note (‘D*Votion 99’). Not to mention Lisa Stansfield‘s ‘Change’ or Loose Ends‘ ‘Hangin’ On A String’).
Of course, Frankie Knuckles made some noise in the House scene. Responsible for seminal tracks such as ‘Tears’ along with Satoshi Tomiie and Robert Owens. But also ‘And I Loved You’ featuring the same Tomiie and Arnold Jarvis. Both of them on FFRR. And how to not think of the burning ‘One Man’ by the likes of Chanelle back in 1989? Or Lil Louis feat. ChinahBlac‘s ‘Fable’??? With the same applying to Hercules & Love Affair‘s ‘Blind’. Then Sybil‘s ‘Let’s Yourself Go’. With the list to be incomplete without a mention to the Director’s Cut signature which he put together along with long time friend Eric Kupper.
And, just like David Morales, he also created serious bridges with R&B names. Beginning with Michael Jackson (‘Rock With You’). But also Chaka Khan (‘Ain’t Nobody’) and David Peaston (‘We’re All In This Together’). This in addition to The Gap Band (‘I’m Gonna Git You Sucka’) and Chanté Moore (‘This Time’). Then Toni Braxton (‘Un-Break My Heart’) and Womack & Womack (‘MPB’). Not to mention En Vogue‘s ‘You Don’t Have To Worry’ or Will Downing‘s ‘A Love Supreme’…
Meanwhile, under his own banner, Knuckles also made quite an impression. Delivering his debut-album – ‘Beyond The Mix’ – back in 1991. And in the meantime one of his biggest classics ever by the likes of ‘The Whistle Song’. Eventually sharing the bill four years later with Jersey songstress Adeva on the ‘ Welcome To The Real World’ album. With his final album – ‘A New Reality’ – seeing the light back in 2004.
Frankie Knuckles sadly died on March 31, 2014 in Chicago, IL, of complications from diabetes. He was 59…